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Book Sly and the Family Stone's 'There's a Riot Goin' On' (33 1/3 Series)


Sly and the Family Stone's 'There's a Riot Goin' On' (33 1/3 Series)

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    Available in PDF - DJVU Format | Sly and the Family Stone's 'There's a Riot Goin' On' (33 1/3 Series).pdf | Language: ENGLISH
    Miles Marshall Lewis(Author),Bill Quinn(Narrator),Audible Studios(Publisher)

    Book details

The story behind the making of the album that signaled the descent of Sylvester Sly Stone Stewart into a haze of drug addiction and delirium is captivating enough for the cinema. In the spacious attic of a Beverly Hills mansion belonging to John and Michelle Phillips (of the Mamas and the Papas), during the fall of 1970, Sly Stone began recording his follow-up to 1969's Stand!, the most popular album of his band's career.

4.3 (11641)
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Required Software Any PDF Reader, Apple Preview
Supported Devices Windows PC/PocketPC, Mac OS, Linux OS, Apple iPhone/iPod Touch.
# of Devices Unlimited
Flowing Text / Pages Pages
Printable? Yes

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Read online or download a free book: Sly and the Family Stone's 'There's a Riot Goin' On' (33 1/3 Series)


Review Text

  • By DDD on May 8, 2015

    completely satisfied w/ this purchase...very entertaining read.

  • By B. Thompson on March 8, 2007

    Riot is one of my favorite records, and there has been very good articles about the chaoic making of this seminal LP. This is not one of them, in fact I think this one is a piece of garbage.The writer usually uses artists from today to a-historically connect the dots between a product of the early 70s and a product of the late 90s using passages like "Unlike the self-taught Diddy's sampling production for his early hits by the likes of Mary J Blidge, Sly had...." Please tell me what sense juxtaposing these two people makes at all as at the time of "There's a Riot Goin On" Sean Puffy Combs was 2 years old, and Mary J Blidge was barely born as well. Ugh, this writer always does this too. It is always the "Badu-ness" of this, the author making some imaginary link between Riot and LL Cool J's "Mama Said Knock You Out" or even the connection Sly has to Hip Hop via Freddy "Rerun" Berry on What's Happening. They must have paid this author by the word.As a reader, I know it was a seminal record or I wouldn't have bought the stinkin' book off the internet. So talk about the record, don't just blather on about Music and Social History you don't really know then lift all your relevant information from other already published texts.In the end, the writer lifts 80% of his informative information from the For The Record series by Dave Marsh. If you want to know about this record find the Marsh text that actually covers the entire arch of the band front to back or at least, find the Mojo article (which also draws heavily from the Marsh text, but is fairly hip about it).DO NOT BUY THIS BOOK!

  • By matthewslaughter on March 19, 2007

    Miles Marshall Lewis tackles the challenge of writing about Sly and the Family Stone's infamous fifth album "There's a Riot Goin' On" (1971) in a very personable way. By presenting a presumably semi-autobiographical conversation between him (nee Ploot Parsley) and his long-ago scenester father when he was fifteen about Sly and the Family Stone, we get a sense of what Sly meant to his listeners, particularly the African American community. Lewis's approach is not academically tangential, a la Greil Marcus, or one of hero-worship (like so many other rock critics), but one that is grounded in the contradictory realities that Sylvester Stewart presented to his listeners -- an optimistic musical genius whose descent into drug abuse and the whirlwind trappings of fame rendered him null and void, a gloomy reflection of the paranoid times in which he lived.Lewis's chronology of Sly and the Family Stone is fairly boilerplate, often interrupted by references HIGHLIGHTING Afrika Bambaataa, Puff Daddy, Prince, Andre 3000 and De La Soul instead of Sly, which can get tedious. But once Lewis gets into the album, his analysis is fairly convincing. I even smiled when he redeemed one of my favorite tracks on the album, "Spaced Cowboy," which is usually dismissed as the least effective track on the album.The only weakness of Lewis's book is that he points out the flaws of this album, but never really gets around to saying why this album is as important as it is, warts and all. Can a record be flawed and masterful at the same time? He never really tackles this question of aesthetic sensibility head on. Sure, this book doesn't shed any new light on the crazy days and nights spent making this album, but it does mostly account for it's challenging appeal after all these years.

  • By J. Lund on May 27, 2006

    If not manual, then perhaps liner notes. THERE'S A RIOT GOIN' ON (1971) is one of those paradigm-shifting albums of which there is a before and after, musically speaking. Although the book has 117 pages of text -- lyrics take up the remainder of the 132 page paperback -- Miles Marshall Lewis actually doesn't begin discussing the album's tracks until page 86. That leaves a lot of space to set up the scenario for the album, mixing musical achievements, biographical info, and even gossip into a concise yet informative background study of Sly & The Family Stone. While some of the biographical details are sensationalistic (drugs blah blah blah more drugs), hopefully they won't obscure the brilliance of the group's music.The album itself is examined in detail, including an attempt to separate fact from fiction in regard to the personnel. For one, it turns out that all or part of the Family Stone is missing from much of the album, with Sly often playing the parts himself (or using such guests as Bobby Womack). The book gets into the details, but suffice to say that the original lineup of S&TFS came to an end at this point in time. Although there's probably more to the story that is known at this time, the author does a good job of detailing the album sessions, attempting to decipher the lyrics, and pointing out many of the ways that the album influenced pop culture. Perhaps one indication of the albums' importance regarding Sly's career is that eight of the cuts were lifted for the 2-CD THE ESSENTIAL SLY & THE FAMILY STONE. The book does have a few errors, and I disagree with some of the author's opinions (for one, I think HIGH ON YOU from 1975 is an excellent, highly-underrated album). Still, this book is recommended to anyone who wants more info about Sly and the album RIOT.

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