Larry Kearney was born in Brooklyn, New York, and moved to San Francisco in 1964 where he became part of the group of poets centered in North Beach and loosely described as the San Francisco Renaissance. He has published fifteen books of poetry, three works of non-fiction, and a children’s book. Four noir novels have yet to circulate among publishers. Critical Responses, Prose: Whiskey's Children (Kensington): So beautifully written it will leave you shaking with wonder — Anne Lamott; Addictive — a page turner — St. Louis Post-Dispatch; Redemptive and gripping — Patricia Holt, San Francisco Chronicle A Bar on Every Corner (Hazelden): The sequel to Whiskey’s Children won the Independent Publisher’s Award (IPPY) for best memoir of 2002. Periodicals: Zyzzyva, Counterpunch, Sierra Club Bulletin, Shuffleboil, Vanitas, Enough, Queen of Heaven, Beat, Mad Love. Critical Responses, Poetry: This is a primal geography wherein all the terms of the so-called world gain articulation and a place. And his propositions will haunt you, or bless you, forever. Voila — Robert Creeley; Larry Kearney’s lyrical, probing voice has been an essential for the last 40 years — Joanne Kyger; Kearney is one of those unsung cats who has been producing intelligent thoughtful snarly deeply musical poetry, deeply felt wryly wrought astute poetry of the first rank for decades for a select few—you're in for a rare treat — David Meltzer; Larry Kearney's poems say there's nothing that can't come in here if it's required. Then the wind and a ball and the sound of a light moving through the room — Stephanie Young Periodicals and anthologies: Bay Area Poetics, O Anthology, Zyzzyva, Open Space, Foot, Temblor, Buffalo Stamps, Yanagi, The Ear, Vanitas, New American Writing, Pacific Plate, Noi, Sal Mimeo, Cypress, Small Town, Commonweal, Parthenon West, Golden Handcuffs.
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